I took this photo as part of my A-Levels exploration of static urban realism. In the streets of London creativity sizes the night.

I took this image of St. Pauls Cathedral during covid, with a Lica Q2. I explored angles of approach, maximising the reality of scale through the lens. One of my most praised pieces.

This photo was a collage of various restricted parking zones around the city of London. re-assembled in post to blend the lines between physical and digital restrictions. I took this to showcase the resemblance between controlled environments.

I wanted to focus on the beauty of negative space and the construct of “less is more.” Simplicity draws attention, and this photo taken in Islington London draws a peaceful yet dominant presence.

Much like ‘Mark Of Land’ I explored ways to make architecture dominate the frame. Another one of my most praised pieces, Tower Bridge focuses on shades combined with structure to dominate the skyline.

Here I explored more of a commercial photographic format. focusing on action, and interaction. Taken in Borough Market, where the action never stops.

In this image i explored more negative space. Focusing on both urban culture and the quarters of the lens.

During Covid I had no access to a studio to create a music video for the song “I Mean It” By G-Easy, I constructed a rig using a yoga roll to act as a bolster counterweight for my suspended rig.

I used a ring light, and a fixed mounted Lica camera to shoot the music video within 1 frame.

My journey through the fundamentals of advanced camera equipment, safety during operations, and lighting techniques.

For one of our first films, we had to find creative initiatives to overcome issues. We used my old skateboard as a dolly system that worked surprisingly well.

As production designer for our first film “Broken Vase” I had to come up with creative solutions to make a bare boned house come to life. I did this by making full use of lighting techniques and the department of props to create a ‘lived in’ and ‘messy’ environment.

I conducted a social media experiment, where we explored various short-form content techniques. Through the form of TikTok, Brad & Chad’s Tea reviews rapidly grew in the local area. We experimented with ‘times of the day’ ‘controversial opinions’ and location based branding techniques to drive follower engagements.

I visited Chapman University in CA, to explore their media and film department (DOGE) here I gained an extensive insight to how other university’s perform globally. And wrote an article on the advancement of media technology and creation in modern education.

Aesthetica gave me the opportunity to connect with like-minded creatives and learning from the industries top performers in digital innovation, and creative curation. From creative storytelling, and brand advertising, to finance models and production ladders, Aesthetica celebrates the new breakthroughs in creative technologies and showcases some of this generations best work.

I assisted a student at the Royal College of Art in a photo shoot for his exhibition. using an abandoned wear-house.

I had the pleasure of hands on experience in ‘Futures Studio’ a state of the art LED backdrop for shooting film & media. Using infrared tracking systems that monitor camera movements that manipulate the scene created in Unreal Engine to display on the 800 screen wall.

To understand and be given the education to create visuals for the back wall, I first learnt how to navigate the equipment and the software (Unreal Engine)

I learnt the software for Unreal Engine and constructed a backdrop for the Futures Studio wall, for which a scene of an abandoned coal mine was needed. I used intricate mapping techniques including world forming, shape manipulation and colour grading. I also learnt the techniques to manipulate nodes to various counterparts.

I had the pleasure to go to DIFF, and see some amazing contemporary cinematic pieces and media development from young creators like myself. I experienced a range of talks from media & film executives on the emerging age of ‘new wave’ media.

Over the summer I completed the ThinkBox TV Masters course, this consisted of a wide span of marketing techniques for televised advertising. Thinkbox explored the different forms of telemarketing, including data driven analysis to boost campaign recognition.

Building on my previous certifications, this program has deepened my understanding of how to leverage AI maximising campaign performance.
I learned how to:
- Utilise Smart Bidding strategies to drive conversions and value.
- Use machine learning insights to optimise audience targeting and ad delivery.
- Apply data-driven decision-making to improve ROI across campaigns.
- Implement AI-powered tools to scale campaigns efficiently while maintaining alignment with business objectives.

This has strengthened my skills in designing compelling, high-performing ads that connect with audiences and drive real results.
Continuously learning and applying these insights to create campaigns that not only capture attention but deliver measurable impact.
The program also emphasises strategies for testing and iterating ads to ensure campaigns deliver measurable results while aligning with business objectives.

I’m happy to share that I’ve obtained a new certification: Google Ads Display Certification,
This certification has strengthened my skills in:
- Display campaign management
- Audience targeting & remarketing
- Creative optimization & responsive ads

I’m looking forward to applying these skills to create impactful, data-driven campaigns that drive both brand awareness and measurable results.